Design hierarchy – the golden rule of period interiors

It’s all about the design hierarchy in a period house.

So if you’ve ever been tempted to install the same doors and handles throughout your period house – naughty naughty!

Ultimately, this is a very modern approach and will reduce the character and authenticity of your period home.

A hierarchy of design should be evident in your house whether you live in a humble 19th century farmer’s cottage or a Georgian stately home.

So what is design hierarchy I hear you ask?

Basically, it means keeping the best stuff for your most important rooms such as the drawing room and dining room!

In contrast, the 21st century home is far more egalitarian with an airing cupboard often having the same door handle as the living room.

This would have been a shocking waste of money to the Georgians and Victorians.

I’m fascinated by the variety and contrast in period home interiors.

Therefore, if you want to give an authentic ‘flow’ to your old property you must reserve the best décor and features for your public rooms.

Let me take you on a quick tour of my house to explain further.

Dividing line

This photo shows the delicious contrast of the oak grained door frame, wallpapered walls and Persian rug of my parlour against the simple brown painted woodwork, painted walls and quarry tiled floor of the inner hallway leading to my scullery.

The original owners would have considered this doorway the dividing line between the ‘public’ parlour and the ‘domestic’ rear quarters.

A handle on design hierarchy

When I moved into my home there was a mixture of door handles and I nearly made the mistake of replacing some to give a more consistent feel (whoops!).

Thankfully, I realised the more basic brass latches were on secondary room doors such as the scullery, and wooden door knobs were located on doors for more important rooms.

This looks particularly odd on the landing where the main bedrooms’ doors on one side had wooden knobs and the other doors had latches.

Fitting in

The same inconsistency occurs with the doors themselves in my home. The understairs cupboard door is a simple ledge and brace door, compared to the parlour door which is glazed with pressed glass panels.

Likewise, fireplaces also adhered to this rigid rule. The Victorians always fitted the best fireplace with a separate surround in their parlour or drawing room, and reserved all-in-one cast iron affairs for smaller bedrooms.

Unusually in a working-class property, my main bedroom had a similar fireplace to the parlour with the same tiles.  

However, the largest bedroom often had better fittings as it was designed for the ‘master of the house’ and may have been also used by visitors.

Décor delight

Hierarchy is also a constant décor theme in my house, from wallpaper to prints on the wall, which I will go into more detail in future posts. Above all, think ‘hierarchy’ when making decorative decisions if you want a period feel to your home!

This means reserving the best furniture, wallpaper and ornaments for your living and dining rooms and keeping domestic rooms such as the kitchen and small bedrooms as simple and basic as possible. Don’t be tempted to flourish these rooms with elaborate ornaments and wallpapers as this would be as inauthentic as laminate flooring and an Artex ceiling.

Victorian bedroom simple decor bed washstand dressing table
Simple preserved Victorian small bedroom with painted pine furniture

Design hierarchy – get inspired

Nothing beats a National Trust property to see design hierarchy in action. Take a visit or explore interiors on their National Trust Image site. Similarly, take a look at my House Tour section to see how my rooms vary in decor and fittings.

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3 thoughts on “Design hierarchy – the golden rule of period interiors

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  1. I live in a property built in 1895. You can tell which part of the house you are in by the skirting boards.

    In the drawing room and living room they are tall and extensively moulded. They become plainer as you walk back through the house. In the kitchen, they are the plainest and simplest of all.

    Design hierarchy in action.

  2. Hi Peter. What an interesting post. One of my friends bought an old Georgian house and is fixing it up. I’m fairly sure that he fitted the same doors throughout (ouch!). The floors are different in each room alright and the fire place has been modernised. I must take notes from your post and visit my friend after lockdown. Lots to talk about no doubt. Thanks Sean

    1. Hi Sean,

      Generally there is a hierarchy with doors in historic homes, so my understairs cupboard is a ledge and brace door and the parlour doors are the more intricate ‘gunstock stile’ with glass. However, all the others, even the smallest bedroom, are four panelled with beading to both sides. You sometimes see lesser rooms not having the beading to the inner side where it is not seen from the hallway. This tends to be in developer houses where a profit was important or areas where servants lived or worked. As my house was rebuilt by the Victorian owners themselves and they didn’t have servants they didn’t tend to cut these corners, although they did put cheaper latches on the doors of lesser rooms.

      Kind regards,

      Peter

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